The Ghostly Carousel

Carolrhoda Books 2018

"An offbeat menagerie of spooky light-verse poems. Brown's 17 tightly rhymed poems, presented in mostly double-page spreads, feature all kinds of otherworldly creatures and things. Witches and warlocks, the 'Creeping Crud' and a cannibal's fingery fondue, fictional characters such as Dr. Jekyll and Medusa, Brown's boldly illustrated subjects--all are painted with his signature childlike detail in rich, earthy oranges, purples, greens, and black, and they engage in some icky escapades to which children might yet relate. For instance, a 'zombie named Joel' attempts to dig himself deep into a literal hole, desperately trying to 'escape / from the family reunion, ' where his 'zombified aunts, / lost in a trance, ' and laden with 'scorpions, / leeches, / and slugs' are 'lurching / and searching / for hugs.' Another 'big, big fan / of the dark and dank' is Hank. 'A deep thinker, / Hank the spelunker / is entranced by caves' and summed up as being a 'funny little dude' who thinks 'grubs and larvae / make marvelous food'; the page turn then reveals Hank's stomach-churning recipe for 'Insect Pie.' Employing clever puns and unexpected end rhyme, Brown creates as engaging an aural experience as a visual one. Brimming with macabre portraits and gross humor, Brown's carousel emboldens young readers to find fun in things that go bump in the night." – Kirkus Reviews

"Brown (Hallowilloween) produces another humorous collection of nightmarish verse that introduces readers to such playful and lurid figures as Joel the zombie, Dublin's notorious goblins, Fritz the undertaker, and Medusa's hairstyling team. 'The Jekyll Lantern' cleverly alludes to Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde with discerning wordplay. Deliciously rich words like repugnant and fiend sparkle in this poem and others, incorporating rhyme and a steady meter perfect for reading aloud. Each poem uses literary devices such as alliteration and puns to enhance and balance the creepiness with comedic twists. Brown's acrylic illustrations are slyly sinister and satisfyingly gross. Readers will delight in cannibals dipping toes into fondue and Hank's insect pie recipe filled with plenty of creepy-crawlies. Although most of Brown's spooky poems lean toward the fantastic, it's his last poem that is most relatable: 'I'm not afraid/of bats or bee stings, /but late at night/I think I see things--/spooky silhouettes.' For in spite of all his wild imaginings, it's the fear of the ordinary becoming the extraordinary that truly terrifies. VERDICT A highly recommended purchase for Brown fans and those who relish poems that go bump in the night." – School Library Journal

Author-illustrator Brown (Polkabats) offers 17 poems that are wickedly humorous and gently eerie. Topics of focus include a zombie family reunion, a canoe commandeered by vengeful canaries, a mysterious 'creeping crud' that invades a house ('arriving precisely/ at midnight on Fridays'), and unruly trick-or-treating leprechauns. Narrative drives many of the verses: 'The village of Glumm/ is gloomy and grim/ for miles in all directions./ A grisly, ghastly, ghostly place/ except for these exceptions.' Other poems address more relatable childhood frights, such as when a child gazes fearfully at the darkened shapes of shelved toys: 'I'm not afraid/ of bats or bee stings, / but late at night/ I think I see things--/ spooky silhouettes.' In acrylic and gouache paintings, Brown brings his distinctive ghoulishness-meets-folk-art sensibility to his monstrous menagerie, and again captures the fun to be found in things sinister and strange. – Publishers Weekly

Brown (Soup for Breakfast, rev. 3/09; Hypnotize a Tiger, rev. 3/15) gives his quirky, funny verse and art a spooky twist here with seventeen poems celebrating ghosts, witches, demons, and even fondue-eating cannibals (who love to dip 'fingers in cheese'; cheese comes up again in 'Insect Pie, ' where 'tasty fleas are stuffed with cheese / until they nearly bust'). The rhythm in some of the poems takes getting used to, beginning with the first poem ('the children of the coven, / being far too young / to use the cauldron or the oven...'), but the successes outweigh the flaws. 'Canary Canoe' is one stronger example, a poem about vengeful super-natural canaries, depicted in Brown's acrylic and gouache illustrations with red eyes and angry expressions--it's silly, and genuinely creepy. The poems will make most sense to children old enough to recognize such references as Medusa, Dr. Jekyll and Mr. Hyde, and a ghost who gambles with 'bones.' In the atmospheric title poem, Brown's 'Ghostly Carousel' is decorated with skulls, and it features (instead of horses) an angry-looking unicorn, a grizzly bear, and a barracuda, among others, leaving room for kids to wonder what they might see on a ghostly carousel of their own creation--an imaginative exercise perfect for the Halloween season." – Horn Book